Tanya Bellehumeur - Allatt

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What is Tanya Bellehumeur-Allatt Reading?

I’m a picky reader. I read as much for character as for plot. I have a passion for narrative, but I read only literary novels and non-fiction. I love a finely crafted phrase where every word has earned its place. Geraldine Brooks gives me all these things.

This fall, I’m reading People of the Book by Geraldine Brooks for the second time. The book begins in Sarajevo in the 1990s during the Bosnian war and moves backwards in time, chronicling the journey of a rare illuminated manuscript—a Jewish haggadah—through centuries of exile and war. It’s a work of fiction inspired by the true story of the Hebrew codex known as the Sarajevo Haggadah. 

At a time when all my travel plans are cancelled until at least next summer, People of the Book promises to take me to Vienna, Venice, Tarragona, Sevilla and Jerusalem. A wonderful, often exotic trip. 

I’ve also been enjoying Sujata Massey’s The Widows of Malabar Hill, a 1920s mystery set in Bombay, a city that fascinates me.  

Next in line on my bedside table is A Burning, by Megha Majumdar.  Sue Monk Kidd wrote a fabulous review of Majumdar’s first novel in the latest issue of Poets and Writers. I immediately raced out and bought it. 

And lastly, for my devotional reading, I’m in the final quarter of Thomas Merton’s seminal The Seven Storey Mountain: An Autobiography of Faith. It’s a wonderful, luminous book; an interior journey. 

Originally published in TNQ

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Reviews

“The writing is almost lyrical. It is a beautiful thing”
—Toby A. Welch /SaskBooks


“Her writing is on point, allowing us to travel with her. And it’s engrossing: we keep turning the pages, wanting to know more.”
—Yara El-Soueidi, Montreal Review of Books


“It’s quite a feat to couple the chaos of the Middle East with the chaos of adolescence.”
—Bronwyn Drainie, Literary Review of Canada


“In Tanya Bellehumeur-Allatt’s hands, words become anything but ordinary—from the scent of lindens along a lakeshore, the imprint of wings on snow, to her father’s last winter on earth, the serious business of living. Poems both fearless and humble. Tenderly, forcefully, they influence our lives.”
—Susan Musgrave, author of Hunger


“Tanya Bellehumeur-Allatt returns in memory to her early adolescence with her peacekeeper father in
war-torn 1980s Beirut, and with honesty and courage traces the legacy of terror in her life and the lives of loved ones and strangers. Each of these thirty-two essays illuminates the psychic consequences of trauma from a different angle, adding up to a multi-faceted portrait of a woman whose personal history won’t let her ignore the costs of societal violence. Thoughtful, compassionate, and
relevant, Carrying War is an eloquent plea for  peace, and a testament to human resilience and the
healing power of art.”
—Susan Olding, author of Big Reader

Photography credit: Emma Allatt

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